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djawabu.org was created: March 13 2013 17:44:51.
Today Thursday 23 May 2013 09:23:36

Aide-de-camp has left. Rejter has returned to the table, has run eyes on any paper, has shaken a head, then has closed eyes and within several minutes was motionless, trying to concentrate. It possessed rare working capacity, he worked everywhere and continuously. On trips - in a train, the plane or the car - it has been shipped in the business. He read documents arriving to it very attentively, doing marks by sharply perfected pencil. Working capacity was it taranom, he stopped at nothing, convincing the heads and the subordinates, any difficulties did not stop it. Only one thing stirred Rejteru - absence of internal sight as he named it. He felt last embodiments very sharply, but did not see anything. To it dreams from which it could scoop helps did not come, there was no inspiration. It pulled to certain historical events and time layers as prodrogshego the person pulls to heat source. But he could not tell with confidence he in its interesting time was whom, what role executed in concrete event of the past centuries. He was angry that to it was necessary to move to the touch, named itself the blind man, but could not do anything with it. Aspiring to overcome "blindness", Rejter even has developed own system of search in time. First, feeling attractiveness of this or that person, it started in action the mechanism of all acquaintances, including the Gestapo device to receive the exhaustive information on interesting his face. It was important to it to know all - than the person of that is afraid is fond, through what difficulties it was necessary to pass in life and so on. Then he addressed to the astrologist to whom trusted immensely, and that drew an astrological portrait of the person for Rejtera, giving possible situational reference points in the history. Only after that Charles tried to bite into object of the researches by means of hypnosis and narcotic injections. Further, if the mystery veil at least was slightly slightly opened, Rejter started to work personally with the person, immersing it in abyss of historical documents, sending on excavation, reducing with experts and smetaja from a way everything that could prevent in work... - Well, it is necessary to go on viewing, - he has spoken. In a hall it was one. As soon as light has gone out and on the screen there was a black-and-white image, Charles has felt, how to a throat it was driven by a pleasant spasm. Rejter loved cinema, loved madly. It cleared up in it a condition close to a trance. The screen was for it a window in other measurement. How many he looked films, its every time to depth of soul surprised that on the screen led aeriform life of a shade in which reality the spectator trusted unconditionally. The play of light and shades bewitched Charles and gave infinite soil for reflexions over a life material aspect. The cinema testified that real people could be and not real, and only incorporeal form which adventures spectators watched with absolute belief that shades were at all shades. The screen was the proof that life was not so is unequivocal, as the overwhelming majority of people thought of it. However at cinema continued to see only entertainment... The screen has suggested an idea to Rejtera once that after each event in space remain some kind of "films" from which it is possible to read out any information. This thought did not give Rejteru of rest. He has been convinced that, having learnt to read out the information fixed in space, the science will find a key to management of any phenomena - mental and physical. But it had no concept how to reach this non-material "film". In department of historical reconstruction worked not only historians and ethnographers, but also physicists, chemists, doctors of all specialities; nothing seemed to Charles Rejteru superfluous. In the near future he intended to employ the good film director to dramatize in all completeness various ceremonies of the ancient world. He has been convinced that the good performance is capable to clear those experiences which are tested by spectators of original ritual actions and then it will be possible to scroll only a film again and again in spectators, without forcing people to do what they to do really are not able. If to speak fairly, what of butcher Henry a priest? Laughter and only. Yes, ancient majjanskogo, the Egyptian or Sumer temples it was impossible to recreate real conditions, but illusion of this temple was given without effort by a screen. Standartenfuehrer Rejter did the big rate on cinema. The cinema forced people to trust in any fiction. The cinema possessed magic property to convince, immersing in the most improbable atmosphere. The cinema was a modest embodiment of one of the strongest magic actions... Now, having sunk in space of a dark hall, Charles looked, how on the screen black savages danced. This film have brought some days ago �� expeditions to the Central Africa. Rejter ordered to fix it everything that has been connected with shamanskimi actions. Expedition has ended almost with a failure: four from seven participants were lost in collision with the natives, one has died of a malaria. But those two who managed to return, have brought a considerable quantity of every possible ritual artefacts and some boxes of the finished shooting film to Germany. The finished shooting material has bewitched Rejtera. For a long time nothing made on Charles of such strong impression. Black figures of naked dancers seemed revived ebonitovymi skulpturkami. Their movements were simultaneously vulgar and plastic, raznuzdanny and are strict. From black people dancing on the screen such powerful energy proceeded that Rejter some times jumped and stopped viewing to take breath and cope with the experiences which have captured it. "What silishcha! Devil take it, same no machine gun will overcome power from which no pistol will consult!. But how to understand it? How to grasp? How to subordinate to devices?. What to me to do? I see, I feel, I know, however I am not able to seize that so is necessary for me... If it is felt by the person can fix and devices. Why at us it turns out nothing?" He again and again ordered to the film mechanic to include a projector and again failed in a delight state of bliss, looking at coiling bodies of Blacks... * * * "�243 - Klejstu Top secret It is printed in one copy. On June, 13th at 18.00 standartenfuehrer Rejter has left Institute of antiquities together with Maria a background of Fjursternberg. They have sat down in its office car and have reached to Gejsbergershtrasse where there lives Maria a background of Fjursternberg. Last days standartenfuehrer Rejter regularly brings up it to an entrance. On all it is visible that it sponsors it, without wishing to leave one. At doors of an entrance the car has stopped. They left together. Rejter: I will wait for you, Maria. Fjursternberg: What for, mister Rejter? Rejter: I would like, that you have vanished. Houses you will sour. Let's descend in theatre. Today give "Fiesko". You looked? Fjursternberg: No. Thanks, you and so are too attentive to me. Rejter: Maria, I understand, why you hasten home. You hope that your mother will have an effect. But believe to the skilled officer: if from the person there are no messages within a week to hope there is nothing. Fjursternberg: you do not leave to me hope. Really in Germany there has come lawlessness time? Rejter: Germany wages war, and war - cruelty time, frequently unfair. Believe, I have made everything to find out though something about destiny of the baroness, but alas... Fjursterberg: And still I will rise to myself. Rejter: I will wait here... It has left and has returned in ten minutes. Rejter: Before performance there is still time. We will walk a little? Or at once in theatre? Fjursternberg: we Will walk.